Marty Stuart Brings His Class Act To The Iron Horse On Wednesday, September 1, 2010.
His new album was recorded in Nashville's hallowed RCA Studio B
|This appeared on From The Horse's Mouth Blog - August 18, 2010|
Marty Stuart seems wrapped in his destiny at this point in time. Not only as country musics most notable ambassador/ caretaker, but as its main archetypical crusader. He has without question evolved into one of the most important roots musicians and visionaries in America. Peter North
So here he is again, almost four decades strong, in the very space where so many Elvis Presley smash hits were recorded as were classic sides by Charley Pride, Connie Smith, Porter Wagoner, Dolly Parton and Waylon Jennings, only to name a few. As the new Sugar Hill Records album title says, its also where the latest Marty Stuart release, Ghost Train: The Studio B Sessions, (out this Tuesday, August 24) has just been recorded.
The first recording session I ever participated in was in this room, Marty Stuart says, looking around Nashvilles legendary RCA Studio B, playing mandolin, in Lester Flatts band, when I was 13. Lester walked over and said Why dont you handle the kick-off on this one? This place has a profound pedigree; its where so much of American musics legacy was forged, certainly country musics. And sonically, this is a room that welcomes music. It seemed to me that in order to authentically stage a brand new traditional country music record we should bring it home to Studio B. Even though Studio B is now regarded as a museum of sorts, I had a feeling that all it would take to bring the place to life were songs and a good band. I just happened to have both. The Country Music Hall of Fame, who operates the facility, gave me permission to come here and work. It is indeed an honor.
Since starting out singing gospel as a child, the bluegrass stint with Lester Flatt in the 70s, the six years with Johnny Cash in the 80s, and coming up with his smash hillbilly rock hits of the 90s, the four time Grammy-winner, platinum recording artist, Grand Ole Opry star, country music memorabilia preservationist, stylist, designer, photographer, songwriter, all around renaissance man, charismatic force of nature, and (first of all, perhaps), leader of the extraordinary, versatile touring and recording band The Fabulous Superlatives, Marty Stuart has shown a showmans zest for every conceivable flavor of country music. Not to mention, a missionarys zeal for bringing the importance of the music and its themes home to long-time fans and newcomers alike. Musicologist Peter North cites, Marty Stuart seems wrapped in his destiny at this point in time. Not only as country musics most notable ambassador/caretaker, but as its main archetypical crusader. He has without question evolved into one of the most important roots musicians and visionaries in America.
By Jim Neill
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