Marty Stuart Loves His 'Hillbilly Bunkhouse' |
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This appeared in Country Weekly - March 9, 1999 |
![]() OK, OK -- so it's a 45-foot 1998 Prevost LeMirage XL, $500,000 of black steel and chrome. It has a shower, phones, a fax, stereo, big-screen TV and a steering wheel. But that's as regular as it gets. "It's a high-tech, tragically hip, rock 'n' roll cowboy, hillbilly bunkhouse on wheels," says Marty. "It's really just an updated version of the old Ernest Tubb bus, which his driver Hoor Borden designed."
A lot of the furniture is the creation of saddle maker Terry Lankford. "Like Rose, Terry is a world-class artist and I thought he needed a bigger canvas than a saddle," Marty says. "The horseshoe idea came from Tubb's bus. I got a kick out of it." This is his first new bus, says Marty. "The last one was the one Gloria Estefan crashed in and the one before was Tubb's. My life has been a series of buses." Maybe that's because he loves the road.
He loves the road, but not all the time. "The road ain't nothing but a lonesome piece of ground," he says. "I hate sundown when I'm away from home. I keep pictures around that remind me of the people I love." He thinks of his bedroom as a big black hole. Black cabinets with cowboy designs, black leather sofa, black leather walls. "Perfect for bouncing off of," Marty cracks. The pillow was made from a '40s Chimayo blanket; the bedspread came from a discount store.
As the bus sails across the landscape, Marty's been scoring Daddy and Them, a film directed by Billy Bob Thornton. For Marty, switching mental gears on the road is a snap. "A bus is like a submarine or a space shuttle," he says. "It's a bubble that masks reality." Written by Catharine S. Rambeau |
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